“Had the opportunity to visit Artisan Guitars today and witness another step in the evolution of Collings’ rosewood dreadnaught build process.

The somewhat blonde in color cousin of madagascar rosewood was a delight to play, and if this guitar is a prototype of sorts if you will experiment by Collings, then there will be many of these instruments to come. The standard neck and 1 11/16 nut width of this guitar was very comfortable, even in my 6’6 hands, which again, demonstrates that not all nut widths/neck shape combinations are created equal, and in the end you just have to play the guitars for yourself. That being said, for a guy who prefers the D18GE/Merrill C18/Martin D18 Authentic chunky baseball neck shapes, this guitar fit the bill anyway, and was a fast playing joy all the way up the neck.

Let’s discuss this business of tone with the sacha rosewood. Huge, controlled chunks of punch await the player. CONTROLLED..PRECISE..POWERFUL..BRUISE YOUR STERNUM PUNCH, PEOPLE. Yep, this is one for the ages, and even in what I see as an experiment by Collings (Bill, Ellie, W.T., Adam, correct me if I’m wrong)this one is pushing the punch and precise, articulated, in your face out front tone and volume to the next level. As usual, the balance is all there, and the craftsmanship is flawless, maybe better than in the past, if that’s possible. A piece of coffee table art with strings. Think Robert Bowlin Six String Soliloquy album with just a tad more of everything..punch (did I really use that word again? Yes, I did), power, balanced pop with each note, again, laying the sternum to waste.”

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http://www.themusicemporium.com/system/html/om2hasasha_750_7-597dd6f5.jpg

Not content to let the dwindling supply of exotic rosewoods diminsh their capacity to make great guitars, our friends at Collings have introduced a limited number of instruments made with Sacha Rosewood back & sides. This South American tonewood offers plenty of punch in the low end, but with less darkness than Brazilian (think Cocobolo). Lots of chime and sparkle in the high end, and a round, warm midrange make this an exceptional fingerstyle guitar; but it handles a pick just fine and sounds punchy and crisp tackling fiddle tunes.

A word from Michael too:
“It shipped last week. Some of my best work to date. A special thanx to Mike Baranik and Terra Tonewoods for the fantastic customer service and the spectacular set of spalted Peruvian Manchinga this guitar is made of.”

Model G4.2 http://www.greenfieldguitars.com/gg2.aspx?class=GG&section=64&storyid=132#